Wednesday, 9 March 2011

Forbidden Planet does... The Royal Wedding?!

When the Royal Wedding Street Party memorabilia starts arriving in the Forbidden Planet office, you realise that you're facing the most surreal event yet. In eight years of doing this, I've never had to wear a cardboard waistcoat before...

But! It gets better!

On Saturday 2nd April from 1pm, Forbidden Planet will be celebrating the forthcoming marriage of Prince William to Kate Middleton – with our very own in-store street party.

Join Bleeding Cool's Rich Johnston, artist Gary Eskine and Owen Jollands as they bring you the wedding of the year - with the Markosia Comics release of ‘Kate & William: A Very Public Love Story’.

This is a signing with a difference – not only the perfect opportunity to discover the story of Wills and Kate in graphic novel form, but to have your picture taken with the happy couple (well, kind of) and to enjoy the classic retro feel of an old school street-party, complete with tiaras and bunting.

We can’t promise we’ll be taking it too seriously – but we can promise that it will be done in true Forbidden Planet style!

Also available will be the two commemorative one-shots ‘William Windsor: A Very Public Prince’ and 'Kate Middleton: A Very Private Princess’. Make sure you pick up your commemorative copy.

The Forbidden Planet London Megastore is the largest of its kind in the World. It’s the true home of Sci-Fi and Cult entertainment, the heart of Geek Chic.

But we can do 'cheese' too...


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Tuesday, 1 March 2011

Warm Up for KAPOW! at Forbidden Planet

In a special pre-KAPOW! event, ANDY DIGGLE, JOCK and JAMIE DELANO will be signing at FP London at 6:00pm on Friday 8th April... and may well be in the pub afterwards!

Grab yourself a copy of the Titan Books publications of Rat Catcher and Hellblazer: Pandemonuim - and get a head-start on the hottest, newest Con!

According to underworld legend, the Rat Catcher is a peerless assassin who specialises in silencing mob snitches. There's just one problem – he doesn't exist. Now there's a pile of dead bodies in a burning safe house outside El Paso. The Rat Catcher has finally slipped up, and a washed-up FBI agent has one last chance to hunt him down. Follow Andy Diggle’s tale of two master man-hunters in a deadly game of cat-and-mouse, each of them hiding a secret from the other.


In Hellblazer: Pandemonuim, an alluring Muslim woman catches John Constantine's eye and brings troubles to his doorstep: a bombing in a London museum, mysterious ancient Sumerian artifacts and a terrifying creature running rampant with renegade intentions. To save his life and freedom, Constantine embarks on a desperate trail, blazing from the back streets of London to the detainment centres and battlegrounds of contemporary Iraq. Hellblazer: Pandemonium brings original Hellblazer writer Jamie Delano together with fan-favorite artist Jock to tell a tale about war and terror in a horror story tailor-made for the 21st century.

The best comics events - at Forbidden Planet!

Wednesday, 23 February 2011

Hands-On at the Science Museum


If I ask my son where he wants to go for a day out, he always answers the same – the Science Museum. He never tires of it, there are so many things to look at and play with. And for as long as he wants to go, I’ll always take him. I’m proud of my mini-geek and encourage him to learn as much as I’m able.

But it got me thinking today – why is it such a win?


When I was a kid, the Science Museum was kind of static. There were cool things to look at, sure – but those dear old Massey model tractors in the agricultural display have now been ploughing that little dirty circle for forty years. Even the model trains on the balcony of the ground floor – yes, you can press a button and watch the steam-pistons, but they’ve long since dropped off the timetable.

As attention spans become shorter, so the Museum’s displays have adapted, they’ve become brighter and more interactive.


Isaac loves the space-age stuff – it’s shiny and out-of-this-world and larger-than-life. He particularly likes the movie of the thousands of satellites that orbit the Earth, and the new spherical-holo of the global climate. These things have vivid, compelling colour and movement; it makes them real. It’s much easier to explain global warming to a child when the globe is right there in front of him.


Downstairs in the basement lurks hell-on-earth – the ‘garden’ where the very little ones go to learn about basic sensory input. I fear the noise (particularly at half-term) but I’m very happy that the Cubs are hands-on from the ground up – literally.

As we explore the ‘Secret Life of the Home’, it occurs to me that learning, just like media, has become all about ‘interactive’; it’s about making things real and accessible. And that starts with shrieking noise of the smallest kids - and it goes all the way up.


Around us, as communication becomes faster, easier and worldwide, so learning becomes about sharing and experiencing – not about 'being taught'. Chalk-dust has become just that. Now, Isaac gazes fascinated at the workings of cockpits and CDs and VCRs; we play classic ‘Pong’ from 1978. These things are history to him, but they’re a part of my life experience and we can share them and learn together.

It brings us closer. And it’s fun.


As the years of new layers have been added to the displays, yes, it has become a little chaotic. The old tractors are next to the modern plastics; classic 1970s Dan Dare looks out over a floor of games about modern energy and resource (though I daresay he’d approve).

Communication, both media and education, is changing – and it’s very good to see that our kids can be really involved in this from the youngest age.


Today, I’ve been asking Isaac to take pictures – hopefully, encouraging him to look at what’s around him and to enjoy the learning experience. Some of his pictures are on this post. You’ll find the rest on his very own Flickr page, here. 

Needless to say, he has help me download them and choose them and label them. I think it's all part of the same experience.


Thursday, 17 February 2011

The Third Doctor and the Weeping Angels

Once upon a time, there was hiding behind the sofa.


Before I grew big enough to watch Tom's showdowns with Davros - or to get girly over Peter's cricketing whites (sshh!) - the Third Doctor was the Main Man of the early Seventies. Elegant, well-presented, with authority, presence and a flair for technology - you got to love a man in frills who takes out the bad guys with Venusian Aikido.


Today, my six-year-old son isn't having this sofa crap, he's completely enwrapped in Doctor Who. He's a Tennant-fan (fairly obviously!) but likes to play games of imagination featuring his favourite Bad Guys. Daleks and Cyberman dominate - but he and I both are tranfixed by a more up-to-date Nasty...

The latest releases for Titan Merchandise, both these characters are now available as 8" maxi-busts, with the kind of high-quality sculpting that makes me wish I didn't have two left hands.

Though they do make me think... what would happen if they ever actually met...

Monday, 7 February 2011

The SFX Weekender


The second SFX Weekender – the second visit to Camber Sands – and this time you know what to expect…

Yes, the Mouth of Hell.

You know you’re in the middle of nowhere, scoured to the bone by wind and sand. You know your teeth will be chattering as you run to and from your tiny chalet, lost in the nightmare maze of concrete walkways. You know to pack your towel, your sleeping bag, everything you’ll need for a weekend’s indoor camping. Just like you know the carpet in the Main Void will stink from years of liquid abuse, and the velour on the benches in the pub will be worn to a shine by generations of drinkers’ bums…

But hey, you go – because you also know that you’ll have a fantastic weekend.


Favourite moments include the steampunk costumes of the actuator girls, the new take on an old act done by the eerily bendy Chris Cross, Dan Abnett allowing himself to be strangled, and Titan the Robot (of course). Craig Charles spun a spectacular set, Terry Pratchett was greeted by a cheer that raised the roof (‘never give up, never surrender’) and I met my son's favourite canine celebrity.


Props go to the publicists, authors and artists who supported the utterly loopy signing schedule at the FP table – and the space we had to host it in. I’ve never had to contortion six names into a three-foot gap before (and, please, I’ll never have to do it again). Likewise props to the unnamed security guard who let us escape on the Friday night after nearly eleven hours on our feet – and to those who blessed us by bringing much-needed humour and beer.


Oh, and to those who asked? Yes, my head did fit into the saucepan.

Black Library publicist Andy described the weekend as ‘The Land That Time Forgot’, amused by the irony of the situation. Here we are, he said, science fiction readers and watchers and fans, looking to the future, and we’re stuck in something out of a 1950’s timewarp. Horror author Wayne Simmons observed that same irony as he talked about the progressive nature of the event – blending books and toys and comics and signings and music and panels and cabaret into something new that kicks down the doors of ‘fandom’.


Last year, the whole ‘chalet’ experience added to the event – giving a strong sense of ‘surviving disaster’ team spirit. This year, that legend became a Branding-point, with teasing tweets and wind-up conversations bringing anticipation and laughs of horror. Knowing what to expect, we all got into the spirit of things, swapping tales of terror from our scrotty, student-level digs.

Yes, I had to wash my hair in a saucepan – but it’s exactly that experience that turns the whole weekend into one long festival – a celebration of geekery in all its forms.

Well done, SFX!

Sunday, 30 January 2011

Who Owns A Book?


Yesterday’s signing – and the conversation that followed in both staffroom and pub – has made me ask myself a question.

Who really owns a book?

It it's written by the Author, represented by the Agent, bought by the Publisher, polished by the Editor - and then Printed (one way or another), promoted by the Publicist, reviewed by the Bloggers, featured in the Press, sold by the Bookstore, bought by the Public and promoted all over again… breathe, dammit... whose is it, really? What if you add digital publishing and certain online retailers to this cycle and it becomes more complex still? (Or less, depending upon which side of the till you’re standing. Charlie Stross put this one better than I ever could).

And that's not forgetting the self-published authors; the cover artists, and blurb-writers, the fan-bases and bloody, bloody Facebook… everything folds in together and the list goes ever on.

Eventually, with fortune and planning, the whole thing comes full circle – and the Author comes in to talk to the Public. As a friend of mine used to say, 'Everybody wins'.

But does that answer the question?

The face of publishing is changing. We’ve glimpsed it in the darkness – where new hopefuls or talented artisan writers are treated like monkeys, given peanuts for selling soul and talent to organ-grinders who want only profit… and the backlash has been substantial. I'm sure we all remember a certain gentleman in Frey Flannel.

I’m always reassured that the moment one faction steps in and demands sole ownership, the fight rises to topple their monopoly.

Watching Joe talking about and reading from ‘The Heroes’ yesterday – watching the responses of and questions from his fans – has made me realise something. Not about fighting (though we talked about that too) but about the real owners of a book.

Who owns a book? The characters. That's where the passion is; if the cycles turns properly, then they live in the hearts of minds of everyone, Author to Public, all the way round. (It's when they don’t that it seems to go tits up). To coin a popular phrase – it's character driven, the whole damn thing.

And that's how it should be.

Witness: -



With thanks to Joe, his Heroes, Gollancz - and the team at FP Bristol.

Saturday, 11 December 2010

Culture Shock


Culture Shock is a very strange beast.

It’s not the big stuff – the high-rise Miami condos and the golden beach – that’s expected, absorbed parts of the background noise. In a Brit’s constant exposure to American culture, both tele-visual and through Twitter, some stuff just sinks into your subconscious.

No, it’s the little stuff that has the power.


Some of it’s half-expected, but still humorous – driving on the wrong side of the road, overhead traffic lights and ceaseless intersections, fire-hydrants and strip-malls, the guys who put their bikes on the front of the bus (yeah, that one absolutely foxed me). Some of it’s sheer ‘I-don’t-fucking-believe-this’ comedy – the juxtaposition of sunshine and palm trees with Christmas decorations. Sign-spinners (tell me they’re not real)… and what is it about the denizens of Miami and bloody pom-pom dogs?

Some of it, though; some of it just brought me to a dead stop.


Partially it’s the poverty. There’s no shortage of it in central London, but seeing it another context is both surreal and, rather uncomfortably, too real for words. The suburbs are a tessellation of street-art, chickenwire and urban decay; over them, the skeletal overlords of the empty skyscrapers stand grim against flawless blue. Miami smells like concrete, like sun-baked stucco; I hadn’t realised how much the absence of rivers and parks bothered me until I got home.

In a city built on a swamp, where hurricanes are a fact of everyday life, such ‘urban’ things as I take for granted are luxuries. That’s kind of an eye-opener.


Coming back to the tele-visual thing – I seemed to be forever walking into filmsets. The Tobacco Road bar was waiting for Arnie and a shotgun; the very poverty itself was straight out of Robocop. The fantastic, 50s ‘Art Deco’ buildings seemed two-dimensional – had I leaned far enough over, I could’ve nudged them to fall flat. Seeing white bird feathers decorating a grave… it took a minute for me to realise that the ritual employed had, yes, been absolutely sincere.

No Danie, just because it’s a churchless graveyard doesn’t mean it’s an episode of Buffy…


The tourist in me took in The Everglades (damn those ‘gators are big!), the Coral Castle, the KidRobot store, and wandered along the sprawling pretentiousness of Art Basel… evidence of which was washing up on the beach a couple days later. Plus a shout, here, to the wonderful Tate of Tate’s Comics and Videos – when he realised who I worked for, he and his team granted me Ambassadorial status. That’s a whole new and different form of Culture Shock!


In all of this though, there’s one thing that stands out as the greatest Culture Shock of all.

Twitter has made the world smaller; broken it into bite-size pieces and allowed everyone to find their own involvement. It’s also become saturated with spammers and life coaches and soulless marketeers – it’s very bloody noisy.

And it’s all too easy to lose track of your friends.


The opportunity to meet some of those friends – people I’ve been talking to for nearly four years, people from the Little Blue Bird’s first nesting days – was a wondrous thing; I have no words to really do it justice. However small the world may shrink and however swiftly its changes may pass us by, some things are worth taking a moment to remember, and to take a hold of.

Just like the city itself, they have to be done in person.

And that’s not just Culture Shock. It's magic.

You can read another viewpint on my visit here.